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March 18th, 2025

3/18/2025

12 Comments

 
Introduction: For this book club, I would like for you to consider this text in relationship to To Kill a Mockingbird. I'm not exactly asking you to write a compare and contrast, but I sort of am. If you were to put these two books in conversation with each other, what possibilities open up for literary analysis/scholarship on both texts? 

Before you write: take a moment to read the re-cap of the TKAM book club journals on the LT Updates page on this website. Consider the ways you all thought about approaching a literary analysis of that novel and think about what  For Lamb might allow you to write and think about--perhaps similarly or differently. Remember that I'm asking you to think, write, and talk about the novel as literature. 

To Remind You:
 There are other places where we will and must talk about all the "noise" that surrounds the genre--stuff about teaching, book banning, publishing. Noise isn't quite right, but you know what I mean. In book club, I'm asking you to treat our readings as literature. It is not always seen so, as you must know. It is not always given the literary treatment of other genres. We've discussed at length how YAL is, for many adults, escapist, pleasure reading. And we've talked about how, in other genres, there is an understood difference between high and low art. But we've resisted that discussion in this genre. And, yet, without saying one is better than the other, we should be able to have a discussion of literary merit. 

Here are the general directions for all book clubs: But, for the purposes of this book club, I am asking you to spend some time writing about the novel as you might for any novel's class you might encounter. I'm essentially asking you to do a close reading of the novel in any manner that strikes you. You'll have time to post that brief and highly informal reflection and then, in a small group in a break out room, talk about those close readings. We'll close out book club with each small group reporting out. 

Note that book clubs are stable groups. That means that after you are put into your groups, you'll be each other's book club partners for the rest of our time together. 

12 Comments

Book Club NUmber One: TKAM

3/4/2025

16 Comments

 
Overview: You may be getting tired of me saying that this class is trying to figure out the "young," the "adult," and the "literature" of young adult literature. Sometimes we will consider these all together--as we should and out of necessity, but, also, sometimes, we will try to focus in on one aspect. 

Book Club is a place to hone in on the "literature" part of YAL. There are other places where we will and must talk about all the "noise" that surrounds the genre--stuff about teaching, book banning, publishing. Noise isn't quite right, but you know what I mean. In book club, I'm asking you to treat our readings as literature. It is not always seen so, as you must know. It is not always given the literary treatment of other genres. We've discussed at length how YAL is, for many adults, escapist, pleasure reading. And we've talked about how, in other genres, there is an understood difference between high and low art. But we've resisted that discussion in this genre. And, yet, without saying one is better than the other, we should be able to have a discussion of literary merit. 

To that end, it might be good to start book club with To Kill a Mockingbird. After its release in 1960, and after being a complete commercial success for Lee, the novel one the Pulitzer Prize in 1961. Interestingly, No literary analysis of TKAM has been published in a literary journal in the last 5 years. Rather, since roughly the early 2000s TKAM is discussed most often as a cultural artifact in the classroom. 

Details: But, for the purposes of this book club, I am asking you to spend some time writing about the novel as you might for any novel's class you might encounter. I'm essentially asking you to do a close reading of the novel in any manner that strikes you. You'll have time to post that brief and highly informal reflection and then, in a small group in a break out room, talk about those close readings. We'll close out book club with each small group reporting out. 

Note that book clubs are stable groups. That means that after you are put into your groups, you'll be each other's book club partners for the rest of our time together. 
16 Comments

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  • Home
  • ENGL 489 Advanced Portfolio
    • ENGL 489 SYLLABUS >
      • GUIDELINES FOR BEING PRESENT ONLINE
    • ENGL 489 AUTHOR BIOS >
      • Class Profile fill-in-the-blank
    • ENGL 489 CLASS DISCUSSION BOARD
    • ENGL 489 PORTFOLIOS
    • ENGL 489 WRITER'S NOTEBOOK (ASSIGNMENTS)
    • ENGL 489 ICRN (ASSIGNMENTS)
    • ENGL 489 RETHINK/REVISE (ASSIGNMENTS)
    • ENGL 489 Interview with An Author (ASSIGNMENTS)
    • ENGL 489 MENTOR TEXT MEMOIR (ASSIGNMENTS)
    • ENGL 489 FINAL PROJECT (ASSIGNMENTS)
    • ENGL 489 Professionalization Presentations (ASSIGNMENTS)
  • Previously Taught Classes
    • POLICIES ENGL 511 SPECIAL TOPICS: YA LIT >
      • CLASS PROFILES YA LIT
      • LT UPDATES ENGL 511 YA LIT
      • Discussion Board YA Lit
      • SYLLABUS ENGL 511 YA LIT
      • ENGL 511 profile instructions
      • ENGL 511 YA LIT Mentor Text Memoir
      • ENGL 511 YA LIT Reader's Notes
      • ENGL 511 YA LIT pecha kucha final project
      • ENGL 511 Write Your Own YA
      • ENGL 511 FINAL PROJECT (individual)
    • ENGL406 RESEARCH IN WRITING STUDIES
    • ENGL344 YA LIT
    • ENGL101 policies
    • ENGL 226 policies >
      • ENGL 226 Writing Studies Timeline Project
    • ENGL 303 policies
    • ENGL 301
    • ENGL102
    • ENGL 202 BIZ Com
    • ENGL 227 INTRO TO CNF WORKSHOP
    • ENGL 298 Second Year Seminar: This Bridgewater Life
    • ENGL 493 THE PERSONAL ESSAY
    • ENGL 493 Seminar in Writing & Writing Studies: The History of First Year Composition
    • ENGL 511 Reading & Writing Memoir
    • ENGL 513 >
      • ENGL 513 MONDAY UPDATE
      • ENGL 513 DISCUSSION BOARD
      • CLASS PROFILE ENGL 513 COMP T&P
      • SYLLABUS ENGL 513 COMP T&P
      • PORTFOLIOS ENGL 513 COMP THEORY & PEDAGOGY
      • ASSIGNMENTS ENGL 513 COMP THEORY & PEDAGOGY: READING RESPONSES
      • ASSIGNMENTS ENGL 513 COMP THEORY & PEDAGOGY: Literacy History
      • ASSIGNMENTS ENGL 513 COMP THEORY & PEDAGOGY: Pedagogy Presentations
      • ASSIGNMENTS ENGL 513 COMP THEORY & PEDAGOGY: Reverse Annotated Bibliography
      • ASSIGNMENTS ENGL 513 COMP THEORY & PEDAGOGY: ETHNOGRAPHY/CASE STUDY
      • ASSIGNMENTS ENGL 513 COMP THEORY & PEDAGOGY: final project
    • DURFEE Engl101
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